The Visitor
In a world of 6 billion people, it takes only one to change your life. In actor and filmmaker Tom McCarthy's follow-up to his award-winning directorial debut THE STATION AGENT, we get to know Walter Vale, a disillusioned Connecticut economics professor whose life is transformed by a chance encounter in New York City. Through newfound connections with virtual strangers, Walter is awakened to a new world and a new life.
Standard Operating Procedure
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America's image of itself. Yet, a central mystery remains: Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few "bad apples"? Director Errol Morris (The Fog of War) set out to examine the context of these photographs, talking directly to the soldiers who took them and who were in them. After two years of investigation, he amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded in moral ambiguity, but it is now clear what happened there.
Priceless
Jean, a shy young bartender, is mistaken for a millionaire by a beautiful, scheming opportunist named Irene. When Irene discovers his true identity, she abandons him, only to find that love-struck Jean has no intention of letting her get away. Jean's comical attempts to gain her affections gradually evolve into setting himself up as a gigolo at a luxury hotel, until Irene finally starts to warm to her persistent, persuasive suitor. Against the wildly atmospheric backdrop of the south of France, Pierre Salvadori directs this sexy and thoroughly charming romantic comedy, which is a fresh reimagining of the cinema classic Breakfast at Tiffany's.
The Fall
Los Angeles, circa 1920s: A little immigrant girl finds herself in a hospital recovering from a fall. She strikes up a friendship with a bedridden man, who captivates her with a whimsical story that removes her far from the hospital doldrums into the exotic landscapes of her imagination. Making sure he keeps the girl interested in the story, he interweaves her family and people she likes from the hospital into his tale.
Then She Found Me
Helen Hunt makes her feature directing debut with the touching story of schoolteacher April Epner (Hunt) and her very unlikely path towards personal fulfillment. Following the separation from her husband (Matthew Broderick) and the death of her adopted mother, April is contacted by her apparent birth mother (Bette Midler), who turns out to be a local talk show host Bernice Graves. As Bernice tries to become the mother to April that she was never able to be, April seems to find solace in the arms of the parent of one of her students (Colin Firth), only to find that the mystery to life's questions cannot be solved by a simple revelation. Adapted from Elinor Lipman's novel of the same name.
The Foot Fist Way
A sensation at the Sundance Film Festival, audiences fell in love with the seriously self-deluded Tae Kwon Do instructor Fred Simmons (Danny McBride), who talks a big, macho game, but falls to pieces when his wife betrays him. At his studio, “the way of the foot and the fist” turns boys into black belts and suburbanites into great warriors. That is, until Simmons’ seemingly perfect life starts collapsing when he discovers his wife having an affair on him. Twice. A chance to resurrect his life by battling his hero—the 8-time undefeated champ and star of the Seven Rings of Pain trilogy, Chuck “The Truck” Wallace (Ben Best)—gives Simmons’ life purpose as he winds up on a wild, comic journey that will take him from egomaniacal bluster all the way to becoming the stand-up man of his delusional dreams.
Bigger, Stronger, Faster*
In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. We reward speed, size and above all else: winning at sport, at business and at war. Metaphorically we are a nation on steroids. Is it any wonder that so many of our heroes are on performance enhancing drugs? Blending comedy and pathos, Bigger, Stronger, Faster* is a collision of pop culture and first-person narrative, with a diverse cast including US Congressmen, professional athletes, medical experts and everyday gym rats. At its heart, this is the story of director Christopher Bell and his two brothers, who grew up idolizing muscular giants like Hulk Hogan, Sylvester Stallone and Arnold Schwarzenegger, and who went on to become members of the steroid-subculture in an effort to realize their American dream. When you discover that your heroes have all broken the rules, do you follow the rules, or do you follow your heroes?
Mongol
Mongol illuminates the life and legend of Genghis Khan. Based on leading scholarly accounts and Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.