Films and Showtimes
- O Brother, Where Art Thou? (2000)
- Big Sonia
- No Country for Old Men (2007)
- Member Picks: Mulholland Dr. (2001)
- Mozart: The Magic Flute (On Stage)
- How to Survive a Plague (2012)
- Seasons (2016)
- Crooklyn (1994)
- First Reformed
- American Animals
- Tatterdemalion (Local Film)
- Won't You Be My Neighbor?
- The Royal Tenenbaums @ Mother's Brewery
- 2018 Sundance Shorts
- Porco Rosso (1992)
- Leaning Into the Wind
- On Stage: The Royal Ballet's Swan Lake
- They Shoot Horses, Don't They? (1969)
- Bringing Up Baby (1938)
- West Side Story (1961)
- Raiders of the Lost Ark (1981)
On Stage: Mozart's Cosi fan Tutte
- Starring: Jacquelyn Wagner, Michele Losier, Frédéric Antoun
- Director: Anne Teresa De Keersmaeker
- Music: Wolfgang Amadeus Mozart
- Conductor: Philippe Jordan
- Language: Italian
- Genre(s): Performing Arts, Drama
- Rating: NR
- Filmed at the Paris Opera in France on Feb. 16th 2017
- Running Time: Approx. 3 hrs. 28 min.
The Moxie: On Stage is a new series showcasing world class performances from stages across the globe.
Tickets: $20/adults; $15/members & students.
This series is made possible thanks to a grant from the Springfield Regional Arts Council.
Prompted by Don Alfonso, a cynical old philosopher, two young idealists decide to put their lovers’ fidelity to the test. But love will teach them a bitter lesson: those who believe themselves phoenixes and goddesses will discover the desires of the flesh…
In 1790, one year after the French Revolution, in what would be their final collaboration, Mozart and Da Ponte conduct a scientific investigation of love. The music of Così fan tutte is truly extraordinary – complex in its symmetry, jovial and yet infused with an almost sacred melancholia. An extraordinary score where each note seems intended to make us accept a loss – lost paradise, lost youth, or a lost loved-one – and portray a world where all is in a constant state of flux. This laboratory of eroticism could but inspire choreographer Anne Teresa De Keersmaeker, who excels in revealing a work’s innermost geometry on stage. With six singers doubled by six dancers, she depicts the desire which unites and separates human beings, like the interactions between atoms that, once broken, make new bonds possible.