Films and Showtimes
- Moxie Mornings
- Graduation (In Translation Series)
- Spellbound (1945)
- Napoleon Dynamite @ MOTHER'S BREWERY
- Ponyo (2008)
- Notorious (1946)
- On Stage: Peter Pan
- On Stage: Angels in America (Part One Millennium Approaches)
- The Best Years of Our Lives (1946)
- South of Swan Creek and Taneycomo
- May It Last: A Portrait of the Avett Brothers
- Longing and Belonging: The Best Live Action Films from Children’s Film Festival Seattle 2017
- Shine On! The Best Animated Films from Children’s Film Festival Seattle 2017
- On Stage: Angels in America (Part Two Perestroika)
- Thelma & Louise @ MOTHER'S BREWERY
- On Stage: Ashton Celebration (The Royal Ballet Dances Frederick Ashton)
- Mad Hot Ballroom (2005)
- The Kid (1921)
- A Town Called Panic (2016)
On Stage: Who's Afraid of Virginia Woolf?
- Starring: Imelda Staunton, Conleth Hill, Imogen Poots, Luke Treadaway
- Director: James Macdonald
- Writer: Edward Albee
- Genre(s): Drama, Performance Art
- Rating: NR
- Filmed at the Harold Pinter Theatre, London on May 18th 2017
- Running Time: 3 hours, including 20-minute Interval
- Running Time: Approx 3hrs. including an interval between Acts One and Two, and a brief pause between Acts Two and Three.
The Moxie: On Stage is a new series showcasing world class performances from stages across the globe.
Tickets: $20/adults; $15/members & students
This series is made possible thanks to a grant from the Springfield Regional Arts Council.
Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films), Conleth Hill (Game Of Thrones, The Producers), Luke Treadaway (A Street Cat Named Bob, The Curious Incident of the Dog in the Night-Time, The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre) in James Macdonald’s critically acclaimed, 5 star production of Edward Albee’s landmark play, broadcast live to cinemas from the Harold Pinter Theatre, London.
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
"‘Imelda Staunton at her magnificent best. A first-rate revival of an astonishing play. "- Michael Billington, The Guardian
"A fierce revival. Conleth Hill is superb. Exquisite."- Henry Hitchings, Evening Standard
"Luke Treadaway and Imogen Poots are terrific"- John Nathan, Metro
"One of the greatest feats of acting I have witnessed. "- Paul Taylor, The Independent
"Pitch-perfect. It's hard to imagine a cast that could be bettered. The most enjoyable evening in the West End' "- Sunday Express, Michael Arditti