Films and Showtimes
- Pick of the Litter (2018)
- Raiders of the Lost Ark (1981)
- Free Solo
- Moxie Mornings
- On Stage: King Lear
- The Essentials: City Lights (1931)
- Member Picks: Holiday (1938)
- Beautiful Boy
- The Essentials: It Happened One Night (1934)
- Can You Ever Forgive Me?
- The Essentials: His Friday Girl (1940)
- Ghost World (2001)
- The Essentials: The Lady Eve (1941)
- The Essentials: Seven Year Itch (1955)
The Essentials: Meet Me in St. Louis (1944)
- Starring: Judy Garland, Margaret O'Brien, Mary Astor
- Director: Vincente Minnelli
- Genre(s): Comedy, Drama, Family
- Rating: G
- Running Time: 113 min.
The Essentials: Musicals
This new quarterly series showcases the “essential” films everyone should see on the big screen. For each month-long program, we’ll screen five films organized by one of the following themes: directors, actors, genres, and eras/movements.
Essential tickets are $9 for Adults, $8 for Students/Seniors and Members get in Free!
Summary: Sally Benson’s short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. After several false starts (one of which proposed that the eldest Smith daughter be kidnapped and held for ransom), the result was the charming valentine-card musical Meet Me in St. Louis. The plot hinges on the possibility that Alonzo Smith (Leon Ames), the family’s banker father, might uproot the Smiths to New York, scuttling his daughter Esther (Judy Garland)’s romance with boy-next-door John Truett (Tom Drake) and causing similar emotional trauma for the rest of the household. In a cast that includes Mary Astor as Ames’ wife, Lucille Bremer as another Ames daughter, and Marjorie Main as the housekeeper, the most fascinating character is played by 6-year-old Margaret O’Brien. As kid sister Tootie, O’Brien seems morbidly obsessed with death and murder, burying her dolls, “killing” a neighbor at Halloween (she throws flour in the flustered man’s face on a dare), and maniacally bludgeoning her snowmen when Papa announces his plans to move to New York. Margaret O’Brien won a special Oscar for her remarkable performance, prompting Lionel Barrymore to grumble “Two hundred years ago, she would have been burned at the stake!” The songs are a heady combination of period tunes and newly minted numbers by Ralph Blane and Hugh Martin, the best of which are The Boy Next Door, The Trolley Song, and Have Yourself a Merry Little Christmas. As a bonus, Meet Me in St. Louis is lensed in rich Technicolor, shown to best advantage in the climactic scenes at the St. Louis World’s Fair of 1904. ~ Hal Erickson, Rovi
Aug 5 & 6: Meet Me in St. Louis (1944) Aug. 12 & 13: My Fair Lady (1964) Aug. 19 & 20: The Umbrella of Cherbourg (1964) Aug. 26 & 27: Cabaret (1972) Sept. 2 & 3: Sweeney Todd: The Demon Barber of Fleet Street
"One of the first films to integrate musical numbers into the plot, it explores, without condescension or simplemindedness, the feelings that drive the family members apart and then bring them back together again."- Dave Kehr, Chicago Reader
"Garland achieves true stature with her deeply understanding performance, while her sisterly running-mate, Lucille Bremer, likewise makes excellent impact with a well-balanced performance."- Variety Staff, Variety
"One of the great musicals."- David Jenkins, Time Out
"The joys of the film linger with the music and encourage you to savor the true moments of family togetherness."- Douglas Pratt, Hollywood Reporter
"It is a warm and beguiling picturization based on Sally Benson's memoirs of her folks, In the words of one of the gentlemen, it is a ginger-peachy show. "- Bosley Crowther, New York Times