"A lovely, luminous dream."
      — Elizabeth Weitzman, Film.com
    
        
            
      "A surprisingly intricate struggle with absence, grief, and memory."
      — Richard Brody, New Yorker
    
        
            
      "A haunting tale and a stunning directoral debut from Sofia Coppola."
      — Liz Beardsworth, Empire Magazine
    
        
            
      "It gets under your skin and into your head, and you don't want it to leave."
      — Ann Hornaday, Baltimore Sun
    
        
            
      "Coppola's adaptation of Jeffrey Eugenides's novel is both tender and devastating."
      — Ed Gonzalez, Slant Magazine
    
        
            
      "The film unspools with such a rich and peculiar unpredictability that it feels as though we are seeing -- or dreaming -- these things for the first time."
      — Sarah Hepola, Austin Chronicle
    
        
            
      "It's hard to remember a film that mixes disparate, delicate ingredients with the subtlety and virtuosity of Sofia Coppola's brilliant The Virgin Suicides."
      — Jonathan Foreman, New York Post
    
        
            
      "Tragic, haunting, and sometimes darkly comedic, this movie leaves a strong impression in its telling of a story about the destruction of innocence."
      — James Berardinelli, ReelViews
    
        
            
      "Possesses a tone that wobbles masterfully between whimsy, dread, affection and horror, building on rich performances and an understated showiness to cast a queer and tingly spell."
      — Shawn Levy, Portland Oregonian
    
        
            
      "The Virgin Suicides offers a glimpse into the murky unknowability of adolescence, and its legacy is tied to the portraits of femininity with which Sofia Coppola has crafted her filmography."
      — Roxana Hadadi, Crooked Marquee
    
        
            
      "In an astonishingly assured film debut, Coppola captures the poetry and sweetness of Eugenides' novel without allowing any of the standard rites of passage -- first dates, high-school dances -- to feel trite."
      — Sarah Hepola, Austin Chronicle