Films and Showtimes
- Moxie Mornings
- Leaning Into the Wind
- On Stage: The Royal Ballet's Swan Lake
- They Shoot Horses, Don't They? (1969)
- Dirty Dancing @ Mother's Brewery
- Summer 1993
- Don't Worry, He Won't Get Far on Foot
- The Essentials: Meet Me in St. Louis (1944)
- Member Picks: Duel (1971)
- Eighth Grade
- Yellow Submarine
- My Fair Lady (1964)
- Bringing Up Baby (1938)
- The Umbrellas of Cherbourg (1964)
- The Thin Blue Line (1988)
- Cabaret (1972)
- Jurassic Park @ Mother's Brewery
- On Stage: The Curious Incident of the Dog in the Night-time
- Sweeney Todd: The Demon Barber of Fleet Street (2007)
- West Side Story (1961)
- Little Miss Sunshine (2006)
- Raiders of the Lost Ark (1981)
Cleo from 5 to 7 (1962)
- Starring: Corinne Marchand, Antoine Bourseiller, Dominique Davray
- Director: Agnès Varda
- Genre(s): Comedy, Drama, Music
- Language: French
- Rating: NR
- Running Time: 90 min.
Essential French New Wave Cinema
This new quarterly series showcases the “essential” films everyone should see on the big screen. For each month-long program, we’ll screen five films organized by one of the following themes: directors, actors, genres, and eras/movements.
Essential tickets are $9 for Adults, $8 for Students/Seniors and Members get in Free!
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer (Corinne Marchand) set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and Anna Karina.
Summary: Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor.
"Not every minute is as spirited as Varda would like us to believe, but in the cinema of enchantment this ranks pretty high."- Time Out
"Varda transforms the typical French cinema gamine into a complex, tragic figure: the girl who's all too good at playing plaything, forced to face the hollowness of her youth."- Ed Halter, Village Voice